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The two previous albums seemed a little left field in comparison to the first, but this one brings it all together nicely. Maybe not an album for everyone, particularly if you like heavy beats, but for a long time Keane fan it’s nice to see an album which feels organic to how the band has developed. However, I found the techno beats in ‘Black Rain’ a little off putting, and I couldn’t help but wish Rice-Oxley was alone with just the piano, so I could concentrate on the lyrics. It’s a song you can’t help but tap your feet to, and is one of the best songs on the album. ‘On the Road’ is very upbeat for the band, almost verging on a dance song, but it complemented the rest of the album nicely. Catchy, meaningful lyrics are complimented by the upbeat piano beat, creating a memorable song while the chorus and bridge in particular really connected to me.Īnother highlight of the album include ‘Disconnected’ with a strong chorus telling us that: “We walk in circles/The blind leading the blind.” ‘Sea Fog’ is a softer song, where lead vocals are joined by a simple piano to create a thought provoking song, supported by eerie echoes at key moments to give the track a very haunting feel. His lyrics for Strangeland ache with nostalgia and regret, for simpler. The only single to be released in the UK thus far, ‘Silenced by the Night’ is a solid track, reflecting the tone of the rest of the album. F our albums in, Keane songwriter Tim Rice-Oxley shows no signs of adjusting to fame. Originally released in May 2012 it charted. Strangeland is Keanes fourth studio album. The songs on Strangeland reminded me of why I fell in love with Keane in the first place. KEANE - STRANGELAND180G REISSUE - LP - Tower Records is Ireland. If you have it in your heart to forgive them, this album is the perfect opportunity to get off the night train and hop back on the Keane train. The album is the perfect mixture of their previous ones, with strong hints of the emotional core of the first two albums, while retaining some of the funky undertones of Perfect Symmetry. Strangeland is a good but not great album that will be enjoyed by fans of classic Keane, who at this point may reluctantly begin to put down their torches and pitchforks. A long awaited album, (their first since Perfect Symmetry in 2008) it doesn’t disappoint. An amalgamation of the best of each of these albums, Strangeland brings together the disparate elements of each album to create something new and yet familiar.Īs this is Keane’s fourth studio album, I had high expectations of Strangeland, having loved all of their previous albums, particularly their first, Hopes and Fears. It is their first full-length album since Perfect Symmetry (2008), as well as the first to feature bassist Jesse Quin as an official member.
The keane strangeland free#
Known as the ‘guitar free band’, Keane make use of piano and drums to create a very different type of indie rock music. Strangeland is the fourth studio album by English alternative rock band Keane, released on through Island Records. Since then the band have released two further albums, each with their own distinct feel as the band evolved to find its place in the music industry. Keane have been around since Hopes and Fears was released in 2004, and are probably best known for ‘Somewhere Only We Know,’ the first single to be released from the album. There's something weird about that feeling of being on a train really really late at night when there's just a handful of you there, and I always wonder what everyone's story is – especially people who've been to work and probably got up at some horrendous hour of the morning, and they're traipsing back to their home somewhere in the suburbs.Want a little more indie rock, after being surrounded by pop tunes and synthesised bass? Keane’s Strangeland is the album for you. Sat 19.05 EDT First published on Sat 19.05 EDT. I always think about it as being a commuter's love song. Keane Keane: Strangeland review 3 / 5 stars 3 out of 5 stars. Rice-Oxley explains his thoughts about "Try Again" on the fifth Keane podcast: The song was recorded and at the Heliosentric Studios, Rye, East Sussex and at The Magic Shop, New York City in late 2005. Chaplin apparently wanted Wainwright to also play the piano but he refused. Rufus Wainwright was asked by Keane to sing this song along with Chaplin at the Wireless Music Festival on 29 June 2005. In the extended outro, distortion piano notes can also be heard from lead singer Tom Chaplin's Yamaha CP60M. The album version is a melancholic piano ballad, featuring drums, synthesizers, an extended outro, along with Rice-Oxley's electric piano. The song was first played with the electric piano and a tambourine as very much a work-in-progress, and as a result was shorter than the recorded version.
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It was composed by Tim Rice-Oxley in early 2005, and first played live two weeks after composed by Rice-Oxley.